The 22 Best Dancehall And Reggae Albums Of 2022
Countless artists spent the first two years of the decade waiting. They waited to return; they waited until their newly recorded music could greet live audiences.
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Countless artists spent the first two years of the decade waiting. They waited to return; they waited until their newly recorded music could greet live audiences.
There’s a common thread running through most of Shaggy’s crossover hits. It’s a familiarity drawn from the work of others, aimed at disarming listeners and luring ears toward his updated sounds and styles.
XTM.Nation has re-released Sizzla and Philip ‘Fatis’ Burrell’s Praise Ye Jah, in celebration of the album’s 25th anniversary.
A 1993 trip to Brazil opened Shaggy’s eyes to how big Reggae could be. Maxi Priest had invited the then-rising artist to join him onstage at Rock in Rio, a major music festival which that year featured acts like Nirvana, Aerosmith, and Simply Red on the line-up.
Since 2014, the multimedia artist MeLo-X has gone from uploading unofficial remixes of Beyoncé songs to becoming one of the superstar’s steady collaborators.
Much to the alarm of its opponents, Trap Dancehall seems to be here to stay – at least until a new youth-driven sound arrives to replace it.
Loud night in Kingston. Walking into Di Lot on a Sunday like this could crank anyone’s senses into overdrive.
VP Records has released Strictly The Best Vol. 62, the latest entry in the longstanding Reggae and Dancehall compilation series.
In late 2018, IzyBeats considered changing career paths. The Jamaican producer born Andron Cross began making beats in 2001, and though he established a local buzz in Miami and scored a few songs with Vybz Kartel, he still hadn’t found the hit he was chasing.
The XTM.Nation label has released a new posthumous compilation from Philip ‘Fatis’ Burrell, the influential Jamaican producer who passed away in 2011 at age 57.
This article is the second in a monthly series that will revisit ‘Dancehall Riddims That Slapped.’
The youth music of Trinidad & Tobago has undergone seismic shifts in recent years, and the Port-of-Spain artist Prince Swanny has been a guiding force in that transition.
In recent months, the Jamaican duo Brick & Lace has been figuring out how to handle their sudden popularity boom.
This year marks the 25th anniversary of Sizzla’s Black Woman & Child and the 20th anniversary of Da Real Thing, both produced by Robert “Bobby Digital” Dixon, who died in 2020.
Stick Figure’s music tends to elicit vivid testimonials. In YouTube comments, many fans share how the Reggae band’s songs helped them wade through the currents of grief and depression.
In 2017, BBC 1Xtra offered the spotlight to the Portmore artist Runkus with a freestyle session hosted by the English producer Toddla T.
In 2000, as fans awaited Buju Banton to take the stage in Germany, the Orgasm riddim came roaring out of the venue’s main speakers.
British Jamaican rapper Stefflon Don says that regardless of streaming numbers, Spice alone has a claim to the title “Queen of Dancehall.”
In Trinidad, Kalpee was starved of creative resources and worn down by cultural expectations. Beyond the island’s shores, he felt the strain of underrepresentation.
As Dancehall artists war over ‘top ranking’ status at home, they stand to miss out on collective success abroad, says producer Stephen ‘Di Genius’ McGregor.