Opinion, reviews, interviews, staff lists, rankings, and other long talking about Reggae and Dancehall music and culture.

culturedoc

Get On With It! Culture Doctor Presses Gov’t To Create ‘Iconic’ Museum Of Jamaican Music

Director of the Institute of Caribbean Studies at the University of the West Indies, Dr. Sonjah Stanley Niaah, has called for the relevant authorities to move with alacrity to establish a proper Museum of Jamaican Music in Kingston, even if it means turning to crowd-funding to accomplish the milestone, to elevate the current museum from the small space it occupies at the Institute of Jamaica.

Squash-and-Chronic-Law

Montego Bay’s 6IX Urged To Wake For From Musical Slumber

The fizzling out of the Montego Bay-based 6IX was a topic of debate recently, on the Let’s Be Honest Podcast, among the likely reasons being whether Alkaline had “written off” their careers; they lost the Gaza fans who had aligned themselves with them, or their novelty had worn off.

burna-boy

A Grammy For The African Giant?

It’s officially two weeks to the 63rd Annual Grammy Awards, and one question is running through the minds of not only Nigerians but all Burna Boy fans around the world. 

Walshy_Fire

21 Questions With Walshy Fire: Making Hits For The Time

Walshy Fire has played a major part in the development of Caribbean music.  The Grammy Award-winning producer has been instrumental in the careers of Reggae superstars Chronixx and Koffee and has made countless hits with his group Major Lazer.

skillibeng

Skillibeng Urged To Let ‘Crocodile Teeth’ Breathe

Even as Esyde artist Skillibeng continues on what many are describing as a prolific song-releasing streak, Dancehall pundits have expressed concern that he seems to be inadvertently impairing his potential cross-over song Crocodile Teeth from making its mark, by constantly overshadowing it with new, not-as-good releases.

donna

‘Dancehall Professor’ Says Much Of Jamaica’s Music History Documentation Lies Exclusively In Hands Of Foreigners

A leading professor in culture at the University of the West Indies (UWI), is contending that longstanding prejudices against Dancehall, Reggae and Jamaica’s other music genres, has resulted in much of the documentation of the island’s musical history being undertaken by foreigners, many of whom refuse to share the content with the nation unless they are paid.